Such is happening right now, thanks to Ife Olujobi’s sharp acumen in sharing her struggle with pay equity as a playwright working at...
BySeegalaFebruary 17, 2024A panel discussion and reading of excerpts of plays by Italians of African descent. Featuring:Nalini Vidoolah Mootoosamy, playwright, The Foreigner’s SmileMargherita Laera, translator,...
BySeegalaFebruary 14, 2024Join us for a day with the new director of the Vienna Festwochen and artist-in-residence at NTGent, Swiss theatre artist Milo Rau: a...
BySeegalaFebruary 11, 2024Watch Me Work is a communal work session for anyone eager to nurture and sustain their creative process. Facilitated by Public Theater Playwright-in-Residence...
BySeegalaFebruary 8, 2024Igor Golyak: Good question of what is real and what is not real, whether virtual theatre is real. Tjaša Ferme: Yes. Well, whether...
BySeegalaFebruary 5, 2024This work continued a company June 2020 online workshop performance with Safer. GJR members were joined by guest performer Marcus McGregor to explore...
BySeegalaFebruary 2, 2024Watch a live collaborative rehearsal between two teams of artists; one in NYC and the other in Kyiv, Ukraine. In this open lab...
BySeegalaJanuary 30, 2024As part of its pluriannual program co-funded by the European Union, On the Move twice a year proposes Mobility Webinars to collectively investigate...
BySeegalaJanuary 27, 2024Tjaša Ferme: Today I had the privilege to talk to Eamonn Farrell and Lucrecia Briceno of the Anonymous Ensemble, a devised company based...
BySeegalaJanuary 24, 2024Why Saying No is Important So if it feels so wrong, why say no? Learning to say no is an important skill because...
BySeegalaJanuary 21, 2024