When the Tallest Person in the Room Sits Directly in Front of You… — OnStage Blog
by Chris Peterson Good morning. I would like to begin today with a message of solidarity for a very specific
Track by Track: “Songs for a New World” (1995 Off-Broadway Recording")
by Chris Peterson For this week’s Track by Track, we are going back to one of those cast recordings that
Reclaiming the Narrative: The MENA Theatre Artists’ Bill of Rights
By Marina Johnson, Nabra Nelson. A decade after landmark convenings, Nabra and Marina revisit the “Middle Eastern American Theatre Artists’
What Makes a Theatre an “Apartheid Free Zone”?
By Theater Workers for a Ceasefire, Maria Aparo, Sulu LeoNimm, Liz Duran Boubion. The Apartheid Free Zone (AFZ) campaign is
Investigating Vietnamese Diasporic Theatre through Mary Magdalene, Daughter, Boatperson
By . CHUANG Stage and Fresh Ink Theatre present a staged reading of new Vietnamese play, Mary Magdalene, Daughter, Boatperson, written by
MENA Theatre for Young Audiences
By Marina Johnson, Nabra Nelson, Heather Rastovac Akbarzadeh. This episode explores how Middle Eastern, North African, and Southwest Asian folklore
Track by Track: “The Hunchback of Notre Dame” (Film Soundtrack)
by Chris Peterson It is still kind of unbelievable that The Hunchback of Notre Dame exists as a Disney animated
Golden Thread’s Current Decade
By Nabra Nelson, Marina Johnson, Sahar Assaf. This episode is a deep dive into Golden Thread’s evolution. Source link
How to Embrace the Dramaturgy of Creative Caption Design
By McClain Leong. Through creative captions, the access tool of captioning becomes a design element with its own dramaturgical perspective.
Golden Thread’s Second Decade
By Marina Johnson, Nabra Nelson, Yussef El-Guindi. Playwright Yussef El Guindi reflects on Golden Thread’s pivotal second decade; writing in