Master’s Degree Preferred
By Maridee Slater. Maridee Slater invites theatremakers to think beyond graduate school credentials and gatekeepers to preserve the embodied practices
Did “Newsies” Really Need Katherine Plumber? — OnStage Blog
by Chris Peterson I threw on the Newsies pro-shot the other night. You know the one, with Jeremy Jordan as
Embodying a Multidisciplinary Approach with R. Réal Vargas Alanis
By Yura Sapi, R. Réal Vargas Alanis. R. Source link
How Pub Theatres Create a Haven for Independent Performance in the United Kingdom
By Sophie Pell. Pub theatres bring theatre to communities in the United Kingdom through the combined business model of a
If You Audition Non-Union, You’re the Villain — OnStage Blog
Broadway performer, Ashley Wool (How to Dance in Ohio), made the following comment which I found really interesting. “Nobody should
Why “Who I’d Be” from Shrek the Musical Is One of the Best Act One Closers…Ever — OnStage Blog
What makes it brilliant is that it earns its emotion. The first act of Shrek has been all quips and
The Art of Optimism with Theresa Chavez
By Yura Sapi, Theresa Chavez. The founder of About…Productions, Theresa Chavez, highlights the role of the arts in enlightening and
In Rural Minnesota, This Resident Ensemble Model Thrives
By Robert Hubbard. The Commonweal Theatre Company acts as a model for thriving theatre in a rural setting. Source link
Trans-Inclusive Casting Requires Musical Flexibility — OnStage Blog
Noah Webster submitted this, and it got me thinking, “If musical directors really wanna be trans-inclusive in their casting, they’ve
Stories Miss the Adult Version of Toxic Femininity — OnStage Blog
Nick Lopez wrote, “Toxic femininity is real in the adult world and it’s time to start putting it in stories