Let’s Finally Have THAT Conversation About “Dear Evan Hansen” — OnStage Blog
by Chris Peterson It’s been almost a decade since Dear Evan Hansen first hit Broadway, and yet the question still
iCoDaCo Online Conference
By . Through inspiring keynote presentations, artist talks, and interactive discussions, this conference will explore the dynamic relationship between dance
Bring Back Overtures — OnStage Blog
However, for some reason, over the past couple of decades, the overture has begun to fade away. I don’t know
Architecting Organizational Change with Alexandra Meda
By Yura Sapi, Alex Meda. Alexandra Meda, founder of Culture Change Lab, discusses mediation and facilitation at various predominantly white
Master’s Degree Preferred
By Maridee Slater. Maridee Slater invites theatremakers to think beyond graduate school credentials and gatekeepers to preserve the embodied practices
Did “Newsies” Really Need Katherine Plumber? — OnStage Blog
by Chris Peterson I threw on the Newsies pro-shot the other night. You know the one, with Jeremy Jordan as
Embodying a Multidisciplinary Approach with R. Réal Vargas Alanis
By Yura Sapi, R. Réal Vargas Alanis. R. Source link
How Pub Theatres Create a Haven for Independent Performance in the United Kingdom
By Sophie Pell. Pub theatres bring theatre to communities in the United Kingdom through the combined business model of a
If You Audition Non-Union, You’re the Villain — OnStage Blog
Broadway performer, Ashley Wool (How to Dance in Ohio), made the following comment which I found really interesting. “Nobody should
Why “Who I’d Be” from Shrek the Musical Is One of the Best Act One Closers…Ever — OnStage Blog
What makes it brilliant is that it earns its emotion. The first act of Shrek has been all quips and