Why “Who I’d Be” from Shrek the Musical Is One of the Best Act One Closers…Ever — OnStage Blog
What makes it brilliant is that it earns its emotion. The first act of Shrek has been all quips and
The Art of Optimism with Theresa Chavez
By Yura Sapi, Theresa Chavez. The founder of About…Productions, Theresa Chavez, highlights the role of the arts in enlightening and
In Rural Minnesota, This Resident Ensemble Model Thrives
By Robert Hubbard. The Commonweal Theatre Company acts as a model for thriving theatre in a rural setting. Source link
Trans-Inclusive Casting Requires Musical Flexibility — OnStage Blog
Noah Webster submitted this, and it got me thinking, “If musical directors really wanna be trans-inclusive in their casting, they’ve
Stories Miss the Adult Version of Toxic Femininity — OnStage Blog
Nick Lopez wrote, “Toxic femininity is real in the adult world and it’s time to start putting it in stories
You Don’t Always Have to Be Besties With Your Castmates — OnStage Blog
Johnny J. Gordon(Great performer name) left the following comment, “Cast mates are coworkers. Not automatically your friends. You are not
Queer Tragedy, Queer Joy, and the Space Between — OnStage Blog
Stephen Callum Bryum left an interesting comment. “Is it time to stop over-producing queer tragedy and instead produce queer joy?”
Let Middle-Aged Women Take Center Stage — OnStage Blog
This comment, from Megan Gifford, has been circling my head: “Middle-aged women are the lifeblood of theater, yet almost zero
Give Us an Intermission, Please — OnStage Blog
Kate Peckham put it plainly: if a show runs longer than an hour and a half, it needs an intermission.
Fat Characters & Actors Deserve Better — OnStage Blog
Noah Webster wrote the following: “There need to be more roles written for fat actors that don’t also lock fat