Lessons from the BIPOC Critics Lab at Five
By Jose Solís. Since 2020, the BIPOC Critics Lab has trained dozens of emerging critics in craft of criticism. Source
Decolonial Collaboration Through Voice Work
By Sayda Trujillo, Madeline Sayet. Source link
Between Theatre and Anthropology
By Ash Marinaccio, Greg Pierotti, Cristiana Giordano. Ash Marinaccio takes a deep dive into how anthropology and theatre collide as
ART and/or/is POLITICS
By . A panel discussion on the role of arts and culture in the socio-political milieu of the Balkans. Source
Accounting for Change
By Elizabeth McQueen, Sara Porkalob. What levels of change and accountability are we responsible for? Source link
All Together: Native Theatre in Fifty Years
By Tomi Endter. Playwright Tomi Endter imagines a future fifty years from now when American theatre has finally centered Native
Youth, Truth, and Applied Documentary Theatre
By Ash Marinaccio, Peter Hussey. Ash talks with Peter Hussey of Crooked House Theatre about the ways interviews and personal
Women Playwrights International
By . Join us as we explore Women Playwrights International (WPI) history, cross cultural collaboration, and global feminism. Source link
Maybe We’ve Outgrown “Miss Saigon” — OnStage Blog
A commenter said, “We shouldn’t do Miss Saigon anymore. There are plenty of other shows now that actually portray Asian
Shakespeare is Overrated — OnStage Blog
Kendra Robinson left the following comment which intrigued me. “Shakespeare is overrated. Don’t get me wrong, I love Shakespeare’s shows,