Remembering Every Night review – cinema as poetry
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The unlikely rise of Irish-language cinema
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Conner O’Malley is the internet’s most Online filmmaker
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Witches review – leaves you wowed, wounded and educated
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Layla review – Bilal Hasna shines
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Trauma ripples through time at the London Film Festival
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‘The soundtrack is one of the germinating seeds of the work’
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Greek Cinema Now: A Postcard from the Thessaloniki Film Festival
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The Piano Lesson review – high-quality but low-impact work
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