Give Us an Intermission, Please — OnStage Blog
Kate Peckham put it plainly: if a show runs longer than an hour and a half, it needs an intermission.
Fat Characters & Actors Deserve Better — OnStage Blog
Noah Webster wrote the following: “There need to be more roles written for fat actors that don’t also lock fat
Junior Programs, Inc. Taught Kids About Democracy and Racial Equity. Can It Teach Us to Use TYA to Build a Better Future for the United States?
By Joan Lancourt. Junior Programs, Inc brought the values of democracy and racial and ethnic diversity to children across the
“I Know It’s Today” – The Song That Saved Shrek the Musical — OnStage Blog
On paper, it looks like a gag number—three versions of Fiona, little girl, teenager, and adult, sit in her tower
“Some Things Are Meant to Be”
That stillness, the calm acceptance in Beth’s voice, is what makes the song devastating. We expect tragedy to roar, but
Milo Rau at the Down to Earth Festival
By . Jelinek’s radical play THE SECOND COMING against autocracy and fascism will premiere at the Down to Earth Festival
Four Decades, Three Versions, but Only One Real Women Have Curves
By Carlos Morton. For almost forty years, Real Women Have Curves has pulled audiences in with its story of Latine
Consistent Craft with Aganza Kisaka
By Yura Sapi, Aganza Kisaka. Aganza Kisaka, Founder of Yenze Theatre Conservatoire, discusses being an entrepreneur, a teacher, and an
What Makes a Perfect Opening Number? — OnStage Blog
What makes these songs unforgettable is not only their music but their confidence. They know exactly what they need to
Quentin Tarantino Coming to the Stage? I Can’t Wait — OnStage Blog
by Chris Peterson Quentin Tarantino is writing a play. Just typing that feels like a plot twist. For three decades,