My 10 Favorite Halloween Musicals — OnStage Blog
Shannon Gaffney, Guest Editorial Happy October! This is my absolute favorite time of year, and I always find myself blasting
Twin Cities Funders and Theatres of Color Are Transforming Relationships, Part One
Such a radical decision also led to other modes of inquiry, such as how people enter spaces and conversations and
RESISTANCE NOW! Republic of Love
Nationalist parties are on the rise across Europe, from the German AfD to the French Rassemblement National, from Hungary to
Hero Theatre’s LUZMI, reviewed
Luzmi, by Colombian playwright Diana Burbano is the first commission from Hero Theatre’s Nuestro Planeta (Our Planet) initiative, dedicated to
1st Latinidades Arts Symposium | HowlRound Theatre Commons
This Symposium is a part of Cara Mia Theatre’s 5th Annual Latinidades Theatre Festival. Designed to support arts organizations and
The Harm of Teaching Commedia dell’arte to Contemporary Players
Observations on Acting with Stereotypes In my classroom, I found that my students played with less commitment when stereotypes of
Working in Circles from Translator to Kulturmittler
Translators Are Part of the Team Late last year, a literary theatre agency I have worked with a number of
How to Get Started Translating a Play
While the persistence and curiosity of a researcher is necessary for this step, serendipity also plays a part in this
Exploring Advocacy Strategies to Increase Works in Translation on United States Stages
This season’s Broadway hits have included plays translated from Russian (Anton Chekhov’s Uncle Vanya) and Norwegian (Henrik Ibsen’s An Enemy
Troubling the Categories of “Adaptation” and “Translation” in Performance
Jean: Do you take roughly the same approach you’ve just described for each novel you’ve adapted for the stage? Caridad: